Product Details
Titan

1U 8 Channel ADDA USB2 Recording interface with 4 Mic/Instrument in

Titan is a 1U reference quality USB2 multi-track audio interface with 8 channels of ADDA and 10 channels of digital IO. The first 4 channels feature high quality mic inputs while the first 2 also feature DIs. Titan allows up to 18 channels to connect to a host computer via USB2 but using the MDIO expansion slot the interface can accomodate Protools HDX or Dante interfacing.

Product Details
Titan is a 1U reference quality multi-track USB2 audio interface that is ideal for music and sound recording, multitracking, overdubbing, stem-based mastering, analogue summing and critical listening applications.

Titan's eight analog inputs feature Prism Sound's 'Overkiller' progressive soft limiter which transparently prevents over modulation of the analogue to digital convertor on a channel by channel basis. The first 4 analogue inputs feature high quality mic amps with digitally-controlled gain in excess of 60dB (selectable in 1dB steps), individually-switchable phantom power, and very low noise and distortion. Two of these mic inputs also support direct injection (DI) instrument connections with quarter-inch jacks on the front panel. RIAA Equalization can also be selected for each analogue input on a channel by channel basis. Titan also features 10 digital inputs and outputs - 8 channels via ADAT Optical and 2 channels by S/PDIF or AES/EBU with sample rate conversion.

Titan’s front panel gives continuous visual indication of the unit’s main settings and levels plus dedicated pots to control main monitor levels as well as level for the two headphone outputs. For in-depth control, Titan is managed using the Titan Controller App. This app runs on the DAW computer, and can be popped up whenever adjustments are needed and allows control over Titan's powerful features including the built-in digital mixer for configuring ultra low latency feeds to performers.

With a standard USB2 connection that is UAC2 (USB Audio Class 2) compliant the interface is natively supported on Mac, iPad, Linux and Android, and in Windows via a low latency driver.

Verifile is a proprietary technology exclusive to Prism Sound that is built in to Titan. It allows computer audio streams and recorded files to be quickly checked for a wide range of clicks, errors and dropouts, without any compromise in the audio content or any additional metadata. The Verifile process is entirely invisible and inaudible to the user, so using it is simplicity itself.
Technical Specification
Form factor 1U 19inch rack mountable (rubber feet and rack ears supplied)
Dimensions Table top (inc feet), W: 440mm D: 290mm H: 50mm
Rack-mount (inc ears), W 483mm D: 290mm H: 44.5mm
Power 90-250VAC, 50/60Hz, internal power supply, IEC 6A connector
Power consumption 35W
Fuse rating 0.5A(T), 20mm, ceramic
Weight 3.7kg
Operation ambient conditions 0 to 35°C, 85% maximum relative humidity
Configuration Electronically balanced, with fully-balanced analogue signal path
Input Sensitivity Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV’ (0dBFS = +6dBu)
Input Impedance 14.5kΩ
Unbalanced Mode Automatic
Total harmonic distortion -117dB (0.00014%, -0.1dBFS)
THD+N -111dB (0.00028%, -0.1dBFS)
Dynamic Range 116dB (-60dBFS)
Gain Accuracy ±0.05dB
LF roll-off -0.05dB at 8Hz; -3dB at <1Hz
HF roll-off fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz
fs = 48kHz -0.05dB at 23.0kHz; -3dB at 23.9kHz
fs = 96kHz -0.05dB at 32.0kHz; -3dB at 47.9kHz
fs = 192kHz -0.05dB at 32.0kHz; -3dB at 78kHz
CMRR 20Hz..20kHz >70dB
Inter-channel cross-talk 1kHz <140dB
Inter-channel phase 10Hz..5kHz: ±0.25°
5kHz..20kHz ±1.0°
20kHz..50kHz ±2.0°
Overkiller Progessive limiter, auto-aligning, selectable per channel
Impact Filter High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode)
RIAA de-emphasis filter response accuracy ±0.22dB at fs=44.1kHz;
M-S matrix Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode)
Configuration Electronically balanced, with fully balanced analogue signal path
Gain 10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu) plus switchable -20dB pad
Gain accuracy ±0.05dB
Input impedance 5.5kΩ
THD +10dB gain: -116dB at -0.1dBFS (0.00016%)
+40dB gain -110dB at -0.1dBFS (0.00032%)
THD+N +10dB gain: -108dB at -0.1dBFS (0.00040%)
Equivalent input noise (EIN) +30dB gain: -128.5dBu (0Ω source); -126.3dBu (150Ω source)
+40dB gain -130.9dBu (0Ω source); -127.6dBu (150Ω source)
+50dB gain -131.2dBu (0Ω source); -127.7dBu (150Ω source)
+60dB gain -131.4dBu (0Ω source); -127.8dBu (150Ω source)
LF roll-off -0.05dB at 20Hz, -3dB at 5Hz
HF roll-off As per analogue line input data (dependent on fs)
CMRR 50Hz/60Hz: >110dB at all gains
1kHz >100dB at all gains
20kHz >90dB at all gains
Phantom power +48V, switchable per channel
Pad -20dB, switchable per channel
Configuration Unbalanced, high impedance buffer
Gain 10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu)
Gain accuracy ±0.05dB
Input impedance 1MΩ
Configuration Electronically balanced, with fully-balanced analogue signal path
Output amplitude Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV (0dBFS = +6dBu)
Output impedance 100Ω balanced, 50Ω unbalanced
Unbalanced mode Automatic, with bootstrapping level compensation
Total harmonic distortion -107dB (0.00045%, -1dBFS)
THD+N -106dB (0.00050%, -0.1dBFS)
Dynamic range 115dB (-60dBFS)
Gain accuracy ±0.05dB
LF roll-off -0.05dB at 8Hz, -3dB at <1Hz
HF roll-off fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz
fs = 48kHz -0.05dB at 23.2kHz; -3dB at 23.9kHz
fs = 96kHz -0.05dB at 32.0kHz; -3dB at 47.8kHz
fs = 192kHz -0.05dB at 32.0kHz; -3dB at 76kHz
Output balance >50dB
Inter-channel cross-talk 1kHz: <-135dB; 20Hz..20kHz: <-120dB
Inter-channel phase 10Hz..5kHz: ±0.4°,
5kHz..20kHz ±0.25°,
20kHz..50kHz ±0.5°,
Formats supported S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
Sample rates supported S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT S/MUX (4 channel) 88.2 and 96kHz
Input Channel Status Ignored
Output Channel Status Full implementation, Consumer (S/PDIF) or professional (AES3)
Input Word-length 24 bit
Output Word-length 24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping – four alternative shapes available)
AES3 operation via S/PDIF RCA, using RCA-XLR adaptor (supplied)
Input Sample-rate converter (SRC) Selectable at S/PDIF input; allowing input at any sample rate
Output Sample-rate converter (SRC) Selectable at S/PDIF input; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz
Bit transparency Maintained (allows recording of Dolby or DTS streams)